Winner Week 23 - Epi
Art of the Week’s 23rd winner is Epi. Epi was born in Bristol but his work first works began to appear in the early 2000s on walls around central Paris- rudimentary stencils combined with quotations from the great and good of the French literary canon- earning him widespread condemnation, opprobrium and the attention of the Gendarmerie Nationale.
In 2014 he returned to Britain and found its audience to have a different perspective on his work, they struggled to embrace an art form that made use of complex and arcane literary quotes in a foreign language. His work is heavily influenced by the Stencil Movement that had its roots in 1960’s Parisian political protest art. To adapt to this new market Epi gradually adapted his style, eschewing the wall for canvas and reinterpreting the visual zeitgeist with a technique that would incorporate graffiti, Surrealism, Minimalism, Pop, and mid-century poster art.
Through his work, he endeavours to depict a fantastical narrative that runs parallel to the pedestrian and mundane- that is, a secondary reality, one where things both conventional and bizarre live together as if bourgeois culture were shifted marginally towards chaos and absurdity.
This week’s winning piece titled ‘Cheers’ is a pastiche of the famous Harland Miller Penguin Book paintings. It’s oil paint on an acrylic underpainting, on canvas, measuring 80cm x 60cm.
If you wanted to find out more about Epi and his work, you can see this on his website and Instagram.
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